An easy way to do this is to grab a string or a cable and hold one end in place by putting it against the kick drum and holding it there with the beater. To learn more about recording drums, check out my new full-length course here. Almost as if you were miking it the same way as the snare top. The only disclaimer is that if your overheads are placed high up, phase becomes less of an issue here. Whether you have recorded drums before and were not happy with the results, you know how to record drums but want some new insights, or you have never recorded drums but want to learn, you should gain a lot from this course. Grab a measuring tape and measure the distance from where the beater connects with the batter head to either of your overheads. Drum Miking Techniques – An In-Studio Tutorial Joe Mattimore In this video, Jae Daniel takes time out from a recent tracking session at Black Rock EPS to walk us through his drum miking techniques, showing us his process for getting great drum sounds. ➥ New Course: Recording Drums with Matthew Weiss. ➥ New Course: Recording Drums with Matthew Weiss Drum recording is generally regarded as one of the trickiest tasks for an engineer. Tips for Recording Drums: Close Mic Techniques, The Method to the Mix with Mike Major [New Series], How to Record: Microphone Basics (Lesson 3). How to Record Drums — 5 Fail-Safe Drum Recording Techniques Plus, more counterintuitive ways to get fuller yet controlled low-end in your mix. Please try again. It can be an intimidating task to record. Drum Miking Techniques - Selecting Drum Mics & How to Mic … There was an error submitting your subscription. Crude but effective. A better way to approach it is finding the mic placement with the overheads on and listening to where the snare seems to “lock in” with them. All points along this arc are equidistant from both the kick and the snare. It can be an intimidating task to record. This course aims to simplify this process by breaking down all of the variables that go in to recording a drum kit: from working with your drummer to choosing how many microphones to use, which microphones to choose, where to place them, and how to use effects when recording. If you balance everything in mono and blend the kick in evenly with the overheads, then invert the polarity, you should hear the majority of the kick disappear from the sound. Get in touch: ➥ New Course: Recording Drums with Matthew Weiss Drum recording is generally regarded as one of the trickiest tasks for an engineer. Place your Kick-Out mic at the same distance from the batter head. Getting perfect phase relationship between the snare top and rest of the mics so far is impossible. I have been involved in the music industry for 17 years, and engineering (recording and mixing) for 12 years. Assuming I don’t want an especially close or far away sound, I just try to find a sweet spot. Two useful techniques for cutting down on the hi-hat bleed are facing the rejection spots of the snare mic toward the hat, and placing auralex foam behind the mic capsule. Try to find a place in the room where all the good tones seem to get sucked out and you’re left with something that sounds harsh and thin. A drum set has many pieces and each drummer arranges their kit differently. Thanks for checking out "Drum Recording Techniques! Originally, I started out as a musician before becoming involved behind the scenes in recording studios. So we don’t really need to worry much about phase here, exactly. I'm going to outline an approach to drum record. As you may well know, there are countless ways to record an acoustic drum kit well. Recording to a click makes it much easier to edit between drum takes at a later stage. From here, the next place to go is the kick drum. This enabled him to perfect his craft of making records from the initial conception and vision, all the way through to the finish. Remember, phase is all about equal distance. In that scenario you’re simply going to have to move the microphone to different proximities and listen for what sounds best. I have worked in many different genres of music through the years, and I am a voting member for the Grammy Awards. Matthew has mixed for a host of star musicians including Akon, SisQo, Ozuna, Sonny Digital, Uri Caine, Dizzee Rascal, Arrested Development and 9th Wonder. Wyatt’s success has also made him a highly sought after industry speaker, and he has started teaching production and mixing classes at SAE Institute in Atlanta, GA.  Wyatt explains, “I want to give back and help students get the opportunity to get into a large studio with A-List artists.”, Microphones, preamps, and other outboard gear, Improve the quality of your drum recordings, Understand sonic variations of microphones, Properly set the controls of a compressor or equalizer. You might want to check out my post 10 Rules For Achieving Outstanding Music Mixes, too – taking special note of points 2 and 4: Before starting recording you need a decent kit, and a decent space to record it in.

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